Control, Part One

I have no doubt that "control"  will be one of the many topics that I introduce in my learning journal which will ultimately yield changing or deepening conviction as I progress.  Before I go there, however, I'd like to address a question I get asked almost every day.  "Where," they ask me, "do you shop?"  And I guess it is a consequence of being a very experienced Second Life resident (though my current avatar is relatively new) that I know some pretty great places to shop, because I make it a point to shop only at reputable, high-quality, fair-priced brands.  I don't buy things for 5L on the marketplace: they're probably scandalous in origin.  I earn the money I spend here, and I spend it on integrity-priced high-quality goods.  My look is Curio skin, preferably, and I wouldn't be me without it.  So, I'm posting fashion-blogger images today to deliberately call attention to the good art that makes me "me" and the good artists behind the scenes.  Without good art on the grid, we'd be a bunch of uggle-fuggles wandering chalk-drawing streets, duckwalky and herky-jerky gesturing.  And I don't put up with that in the real world, let alone in my ever-evolving fantasy world.  The fantasy would be just ruined!

Sometimes I wear Belleza skin, if the photography demands bolder eyes and blush.  The Asian features on both skins are so delicately and expertly handled.  Both brands showcase great artists.  I spend a lot of money in Second Life, and I like to know that I am spending money on not just great artists but also principled artists.  These artists (and other greats on the grid) are important to me:  Gala Phoenix, Tricky Boucher, Elika Tiramisu, and Cocoro Lemon, because their art is original and fun and sexy and good, good fantasy.   Here, then, is one of a dozen answers to the question of where I shop.  I would very much like to continue shopping at Gala Phoenix's Curio store, as would thousands of Second Life residents.  Gala's reputation in the world as an artist is formidable, a person of unique and special talent.

So, now, back to the idea of control.  I have been reading this excellent blog written by, clearly, a Master (and by "Master" I mean someone who has mastered the art of communication, someone experienced who can convey complicated ideas by breaking them down into digestible bits so that all the parts build upon each other and make perfect sense to people who are newly initiated, like me -- a Master whom I could look up to and learn from for a long time).  This blog treats ideas such as "control" and "self-esteem" and "the difference between submission and slavery" and "trust" and "goals" and "the bullcrap" (ha ha).  In other words, the man has taken great pains to a) empower the submissives and Doms who take the time to read; b) clear up a whole mess of misconceptions; c) make it perfectly clear that even though there are traditions in the lifestyle, ultimately how I live (and how You live, and how They live) will be a personal expression and fulfillment, not something prescribed and prefabricated.   And the idea of control weighs heavily upon me right now.  I know that when I submit, there will be limitations to the power that I surrender.  It won't be a total power exchange 24/7 -- it will not be slavery, in other words, consensual or otherwise.  There will be limits to what I am capable of offering (reluctant, but real).  And determining what, exactly, those limits are will be an excellent exercise that develops between me and my Future You.

What You will not control, I can say right now, is what I look like.  And I have the right to say so; and that simply means that, as we customize our fit together, You will be with me because You don't need to control my look and because I do not need someone to take control over my look.  I'm pretty good at dressing and grooming myself (in any world) and there is every reason to be confident in my ability to "show well" when we go about the grid having adventures.  Controlling HOW I submit is the idea, here.  The detail about how I dress and groom myself is incidental: the point is that there will be limitations on my submission, but they will be limitations that I place.  When I surrender control, it will not be appearance-based control that I beg from You.  I have that under control perfectly well and dandy.  When I surrender control, it will be emotion-control, sensation-control (things I'll delve into later, at long long length).  Bondage and restraint.  It is important to realize, especially for a new submissive, that HOW she submits and WHAT she submits, and to WHOM, and for HOW LONG, are conditions that she still controls as part of that safe, sane, consensual dynamic.  Submission isn't just "a thing," in other words: it is "a series of things."  When I submit, I submit often and regularly, little bits here and there, depending on the situation and timing.  I cede control over little things bit by bit and temporarily, while we get to know each other.  The Grand Whole Unifying Collared Submission happens when we have been together for a long time and we, together, have earned that blanket.  The blanket of submission!  The blanket that rests beside the throne of trust at the table of intimacy, under the balloons of faith and in the next room over from the hammock of aftercare.

One of the things that I want to call attention to as a key learning in the realm of control:   self-esteem.   I quote Dennis Nagjee:

When we discuss fear, it is crucial to remember that it can manifest itself in different ways.  ... Characteristics such as guilt, worry, anger, resentment and arrogance have their basis in fear. ...   The problem with fear is that, when experienced, it puts us instantly into a state where we are out of control. ... Those who are driven by fear do not feel like they are in control of anything. ...  They are not even handling their own emotions.  ...  A person with low self esteem is driven by fear. 

It means that I will be looking out for evidence of fear in the Dominants that I meet, as well as examining my own, and not making decisions based on fear to the extent that such is possible.  "All that is necessary for evil to triumph is for good people to do nothing," isn't that the maxim?  I resent the control that a fearful, hateful person has placed over me, making me unable to patronize an artist whom I adore.  I look forward to when control is re-established in the proper hands and I can once again enjoy new and better work from Gala Phoenix.  I applaud those who have come out openly in support of a great artist: no fear.